tips Archives - Patterns for Pirates

All Buttoned-Up | Easy Hacks

September 9, 2021

Grab those buttons and snaps…the All Buttoned Up pattern is here!! What a beautiful staple for year round sewing. We am so excited to bring you two easy hacks for the All Buttoned Up pattern that will give you even more options. First off, the gorgeous Dana is showing how to achieve the – ohh so popular – lettuce hem look. In the second half of the blog, our talented Rachel is creating separates with the ABU pattern. Yes!

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LETTUCE HEM HACK

If you are looking to give a cute and flirty finish to your new cardigan, a lettuce hem is a great way to go. It’s quick and easy and looks fantastic. Here’s how to do it!

First you will want to remove your hem allowance. Shorten the bottom edge of your bodice piece by 1”, and the bottom edge of your sleeves by ½”. Cut out the rest of your pieces as normal.

Then continue with the tutorial instructions until you reach the part where you are told to memory press the hems. We don’t have hems so instead you will sew the bottom half of the side seams together. This will enable you to hem the whole of the bottom edge in one go. (You can’t sew the whole of the side seam, otherwise you will have to hem your sleeves in the round, which is a little tricky with a rolled hem).

Next we will change our overlocker/serger onto its settings for a 3 thread, narrow rolled hem. You will need to remove your left needle and then change your tensions, stitch length, width and differential feed. Your manual will show you how to do this. This is the page from my manual for reference but different machines will have slightly different settings.

The only difference between a lettuce hem and a regular narrow rolled hem is to decrease the differential feed down as far as it goes, and to gently pull the fabric to stretch it as you feed it into the presser foot. Both of these actions will stretch the fabric as it is sewn, and helps give the wobbly lettuce edge.

You can also slow the fabric as it comes out of the back of the feed dogs, and gently stretch the hem once it is sewn, as this increases the ruffled look.

Then, once you have perfected your narrow rolled hem on scrap fabric you can hem both sleeves and the bottom edge of the cardigan.

Reset your machine to its previous settings and finish sewing the side seams, from the hem edge of the sleeve up to the underarm, and down to join the top of the previous side seam stitching. Weave in your tails, or trim and finish with fray stop.

Construct the rest of your garment as per the pattern tutorial.

You’re done! Enjoy your fun new cardigan.

Happy Sewing

Dana x

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SEPARATES

Versatility is a requirement in my wardrobe so I always put my patterns to work for me. As soon as I saw the All Buttoned Up Cardigan, I knew I wanted to create separates, too!

For this make, I worked up a cropped cardigan and a pencil skirt, with the crew neck and self-facing placket options. You can follow the same method for the v-neck with banded placket.

Start with the dress length cardigan and cut the full length piece in half at the “Crop” length line. You will now have your cardigan and skirt pieces separated.

Construct your cardigan per the pattern directions.

Assemble your skirt by stitching together at the back and sides.

Cut fusible interfacing strips that are 1.5” wide by the length of your skirt. Iron on the interfacing to the wrong side of the fabric, aligning with the front edges of your skirt. Just as you did with the cardigan, press the front edge ¾” towards the inside and press.

Cut your waistband 5” tall by the length of the top of your skirt, minus ½”. For example, the top of my skirt is 31” wide so I cut my band 30.5” long.

From here you have 2 options. If your fabric has great stretch and recovery, you can cut 2 strips of interfacing ¾” wide by 5” tall. Fuse them to your fabric ½” from the edge.

If your fabric has poor recovery, you will want to cut a piece of 2” elastic to sew into your band. No interfacing is required because your elastic will provide stability to your waistband.

Assemble your waistband using the same instructions that you completed for the neckband.

Stitch your waistband to the top of your skirt, ¾” away from the front edge of your skirt.

Complete your skirt placket, buttons, and hem using same instructions for the cardigan.

Wear your pieces together for a coordinated look or separately with jeans or a sweater… your options are unlimited!

Happy sewing!

Rachel

We hope you enjoyed these simple modifications to the All Buttoned Up pattern. Don’t forget to share your creations in the P4P Facebook group and on Instagram so we can all admire them!

P4P University- Facings

May 27, 2021

Today’s P4P University is all about facings. We will take a look at what facings are used for, how to draft your own, and where you can use them in your patterns. A facing is a way to finish the edge of a garment. Although you will often see tutorials for using a facing in necklines, they can be used in many other ways as well. Today we will look at both a simple neckline facing, an all-in-one facing, and how to use a hem facing.

**A video tutorial is available at the bottom of this blog post. **

WHEN TO USE A FACING

You can use a facing when sewing a pattern to finish any garment edges (necklines, sleeveless armholes, hems, and more). While they are more common in woven garments, you can also attach a simple facing to a knit garment if you are looking to replace the neckline binding or band. Let’s see how we can draft and use a simple neckline facing on the P4P Brunch Blouse Pattern.

NECKLINE FACING

You will need the paper pattern, tracing paper, pencil, ruler

Begin by measuring 2 inches down all around the neckline of the paper pattern and placing marks. Draw a curved line to connect your markings. Trace this line, as well as the original neckline, onto your piece of tracing paper. This will now be your facing pattern piece. Repeat for the pattern back. **The Brunch Blouse uses a center back seam. To remove this in your facing, cut off 1/2 inch from the center back line on your pattern piece. Then cut the fabric on the fold at the new center back line.**

Cut your pattern pieces and facing pieces from your fabric. Make sure you are cutting your facing pieces on the fold as you would your front and back bodice pieces. Apply interfacing to the back of your facing pieces. You can leave off interfacing if you would prefer as I did in this knit pajama top. Make sure you use knit interfacing if applying to a knit garment.

Sew the shoulder seams for your front and back bodice as well as the front and back facings. Press the seams open. Finish the outside edge of your facing with your serger, an overlock stitch on your machine, or your preferred finish. Place the bodice right sides out and mark the quarter points with pins. Repeat with your facing. Match your facing and bodice, right sides together at pins. Stitch together at 1/4 inch using a long stretch stitch for knit garments. **Note this will finish the neckline at 1/4 inch lower than if you were to use a band. If you do not want a deeper neckline, make sure you add the additional 1/4 inch to the neckline during the tracing stage**

Press the seam allowance towards the facing. Understitch. (See this tutorial for help with understitching) Fold the facing to the inside of the garment and press well. You can now topstitch along the facing edge or simply tack the facing down at the shoulder seams for a cleaner finish.

ALL IN ONE FACING

An all-in-one facing is a great way to create a clean finish on your sleeveless tops. This will create a finished edge on both the neckline and armholes using one piece. Here is how you can create this facing using the P4P Brunch Blouse.

Begin by marking two inches down from the underarm seam and make a mark on your pattern. Continue marking two inches down around the arm and neckline edges, creating a soft curve to bridge the two areas. See the pictures below for how I marked both the front and back bodices. Trace this new facing piece onto tracing paper using your marks and the original pattern lines at the shoulder, neck, and arms.

Cut your pattern pieces as well as facing pieces from your fabric. Cut your facing pieces from interfacing as well. Sew your bodice together at the shoulders only and center back if you are using the Brunch Blouse. For this facing technique, we will be using our interfacing to create the clean finished edge– the steps will look slightly different from the neckline facing tutorial above. Feel free to use either method on your facings.

Sew only the shoulder seams on BOTH the facing pieces and the interfacing pieces- DO NOT FUSE the interfacing yet. Next, sew the interfacing to the facing, right sides together, along the outside curved edges using a 1/4 inch seam allowance. Clip the seam allowances around the curves. Finally, turn the interfacing and facing, right sides out. Your fusible side should now be facing the wrong side of the facing. Carefully align the pieces and press well. This will now give you a clean, finished edge along your facing without having to use your serger or machine.

Next, lay the bodice right sides out, flat on the table. Lay the facing on top, right sides together. Match all seams and pin around the neckline. Stitch with 1/4 inch seam allowance, then clip and grade seam allowance. Press seam allowance towards facing and understitch at the neckline. Once the neckline is done, turn the garment right side out and lay flat. Roll one side of the bodice in a tight roll towards the opposite shoulder seam. Wrap shoulder seam fabric around the rolled fabric, pinning right sides together. Stitch with a 1/4 inch seam, being careful to not catch rolled fabric while stitching. Carefully pull the fabric through the opening and understitch as far as possible on each side of the armhole. Then repeat on the opposite side.

Fold facing up away from the underarm, match seams and stitch the side seams per the pattern. Trim away any bulk and fold seam allowance back down. Tack at underarm. Repeat on other side. The all-in-one facing is now complete. Finish the top per the pattern instructions.

HEM FACING

The final type of facing I will show today is the hem facing. This simple finish is helpful when creating a curved hem like the Brunch Blouse.

To create the hem facing pattern pieces, take your front and back bodice pieces and mark 2 inches from the bottom edge working from side seam to center. Make sure to mark your fold line and trace your facing piece onto paper. Cut one front and back facing from fabric and interfacing. Fuse the interfacing to the back of the facing pieces. Sew the side seams of your facing and finish the narrow side of the facing. (Make sure you are finishing the top of your pattern piece and not the bottom edge. Otherwise, your piece will not fit inside your garment without bunching.)

Complete your top per the instructions until the bottom hem. Lay your facing and top, right sides together and sew the raw edges together at 1/2 inch seam allowance. Press seam allowance towards facing. Understitch. Press the facing towards the wrong side of the top. Finish with your preferred stitching. You can edgestitch the facing or handstitch a blind hem.

This video will show you how to create the facings discussed in this blog post for those who prefer to learn that way.

Thank you for joining me today to learn all about facings. You can find more sewing tips and tricks on the P4P University blog posts.

Shannon

P4P University – Interfacing for Garment Sewing

May 17, 2021

The correct use of interfacing is one of the main things that takes your garment sewing to the next level. Today we will be talking about different types of interfacing, why you might want to use it and how to correctly apply it.

The first thing we need to clarify is the difference between stabiliser and interfacing. Getting these two confused is easy to do, and people can often buy the wrong one for their needs, but their uses are quite different.

STABILISER

Stabiliser is a type of textile used to add extra weight to a particular part of a piece of fabric, usually so some sort of decorative work can be added to that section. For example, you might add stabiliser to the wrong side of the front of a pair of children’s pyjamas to add some embroidery or applique to the bodice. The stabiliser helps keep the fabric from distorting when adding the decoration to it. It can be left on, trimmed down or torn off after use, depending on it’s type. The picture below shows some embroidery on the reverse of a pair of pyjamas. You can see the tear-away stabiliser still sitting between the A and the Y, after the rest has been removed.

INTERFACING

Interfacing is a type of textile used on the wrong side of a fabric to make that particular area stronger/more weighty. For example it is often used in shirt collars to help them stand upright. The interfacing gives the fabric more rigidity and is not removed, it is permanently attached.

There are two types of interfacing, differentiated by the way you attach them to your fabric. ‘Sew In’ interfacing is sewn onto the wrong side of your main fabric, within the seam allowance so it is not visible when the garment is finished. Alternatively it can be quilted on in a particular pattern of your choice, so that it is visible when completed. It seems to be less popular these days, but is the traditional, couture interfacing.

More popular is ‘Fusible’ interfacing. This is the same as ‘Sew In’ but it has a layer of heat activated adhesive on the wrong side, which means it can be ironed directly onto the wrong side of your main fabric and adheres permanently. The instructions for ironing will either be printed on the selvedge, if you have bought it by the metre, or they will be on the packet if you have bought it bagged. It is important that you ensure the interfacing is fully adhered before sewing the garment together because otherwise it can start to peel off and look messy. This picture below shows an example of an iron-on interfacing attached to the wrong side of a piece of cotton.

Interfacing comes in many different weights, from a light weight interfacing used to add a little extra body to the facing on a silk blouse, to a very heavy weight interfacing used to reinforce the brim of a cap/hat. I used a medium weight interfacing along the placket of my So Classic Sundress to give added support for the poppers and stop it distorting with wear.

Pattern instructions will advise you which weight of interfacing you will need, so that you can ensure you purchase the type needed to get the finish shown in the pattern listing pictures. For example, the Timeless Tunic notions require a lightweight interfacing for adding body to the neckline facing to help it keep the correct shape.

You will also find interfacing used in woven patterns to add body/structure/strength to shoulder seams, around pocket openings, along plackets, in collars, and even over entire bodice and sleeve pieces in jackets and coats.

KNIT/STRETCH INTERFACING

As well as woven interfacing, you can also find knit/stretch interfacing used for adding greater structure or strength to knit fabrics. It can be used to stop these fabrics from stretching out too far, for example it is often used around pockets in a knit dress, so that the dress doesn’t become misshapen with use. I like to use it to add greater structure to the front of my Go To Jacket before sewing on the zipper, as it helps stop the fabric stretching out when attaching the non-stretch zipper to the stretch fabric.

In this video I discuss a few different types of interfacing and show how they are adhered to fabric. Sometimes seeing the fabrics being handled can give you a much clearer idea of what they would be like to use in real life.

Whichever type or weight of interfacing you need, the pattern you are using will give you details of what you need and when you need to use it.

Now that you know more about how to use interfacing, why not take a look at one of these patterns above or the Timeless Tunic or Tiny Timeless and put your new found skills to use.

Happy Sewing!

Dana x

P4P University – Armbands Tips and Tricks

February 10, 2021

P4P University – Armbands Tips and Tricks

I’m going to spend a little time today showing how I get the best finish on my armbands. They can be quite tricky to get right and people often struggle with ‘bubbling’ over the shoulder, which can ruin the look of an otherwise perfect neckline.

The pattern I will be using to illustrate how I sew my armbands is the Youth Essential Tank. There are many different cut lengths, from shirt to dress length and the option for a regular tank or a racerback cutline. Today I will be sewing the shirt length tank option for my daughter, ready for the summer weather which we are all desperate for right now!

The first thing to remember is that there are pattern pieces for you to use for the neckband and armband options and these are calculated at 85% of the opening, but the fabric you use may need you to make some adjustments to those pieces to get the perfect fit. A fabric like a 100% cotton interlock won’t have as much stretch as you may need and you will probably want to add a little length to your bands, perhaps recalculate at 90%. Something like a ribbing/cuffing has lots of stretch and that could be cut at 75 or 80% to get the same look. Either way you will want to ensure that you sew the shoulder and side seams of your garment at the full ½” seam allowance or you will find that the bands won’t be long enough, as not using the full seam allowance will make your neck/arm openings wider than they were drafted to be.

If you prefer a video, I filmed the process of making my Essential Tank here:

Sew your shoulder seams and then prep your neckband by sewing the short sides, right sides together to form a loop. Fold your fabric wrong sides together around the long edge and then place a clip at the joining seam. Place another clip at the other end of the band by stretching the band a little to find the centre point opposite the joining seam. Unlike a regular neckband, we won’t be quartering the neckhole and the neckband, just halving. Find the centre front and centre back of your neckhole and place clips. You should have this.

Next, evenly stretch the neckband until it fits the neckhole and clip the neckband to the neckhole at the shoulder seam (this won’t be the normal quarter point as the shoulder seam will be further towards the back). Then also place clips 1 inch either side of the shoulder seam NOT STRETCHING THE NECKBAND BETWEEN THESE THREE CLIPS. (If making an adult sized tank I wouldn’t stretch for 2 inches either side of the shoulder seam), then ease the remaining neckband in between the clips either side of the shoulder seam and the centre front and back clips.

Sew the neckband on, making sure to use the full seam allowance, and remembering not to stretch the neckband over the shoulder seams. This reduces the tension on the neckband here and helps to stop the ‘bubbling’ we spoke of earlier. I prefer to sew with the band uppermost as it helps me keep an eye on the seam allowance. I also like to start sewing just before the shoulder seam as this is the area we will NOT be stretching as we sew. It is easy to forget about this if you come to it at the end of sewing the neckband on, so I like to do this part straightaway so I don’t have to worry about forgetting about it later.

TIP – If you have difficulty managing the three layers when sewing the neckband on, or if your fabric has a tendency to curl badly, I recommend sewing the neckband together around the long raw edge before attaching it to the bodice. You can either use your overlocker/serger without trimming any seam allowance off, or do a zig zag stitch with your sewing machine right at the edge (you may need to stretch the neckband slightly as you sew round, just to make sure it will still fit in the neckhole after sewing this temporary stitch). It just keeps those two layers together whilst you are sewing it onto the bodice, then you simply trim if off with your serger blade when you attach it, or trim with scissors if using a sewing machine.

Press with steam and then topstitch. You can either use a chain stitch as I have here, or a regular 2 or 3 needle coverstitch. If you have a sewing machine then you can choose a twin needle, long straight stitch or zig zag/stretch stitch of your choosing.

Next we move onto the armbands which are sewn in the same way as the neckband. First sew the short ends to form a loop, then fold wrong sides together and mark the seam and opposite point on the band with clips or pins.

The armbands are a little easier because more often than not you find the shoulder and underarm seams are opposite one another. I like to put the armband seam at the bottom of the armscye, for comfort and so you cannot see it when it is worn, then clip in place. Next clip the opposite end of the armband to the shoulder seam. Again, clip the armband to the armhole WITHOUT STRETCHING for 1 inch either side of the shoulder seam (again for a larger sized adult tank, I would not stretch for 2 inches either side of the shoulder seam), then ease the rest of the armband into the armhole between the other clips. The idea behind this is that it should allow the armband to run flat over the shoulder seam, but then the added tension around the bottom of the armband will encourage it to flip up and sit snug against the side of the body at the bottom and sides.

Sew, using the full seam allowance, then press with steam and top stitch as before.

Finish the rest of your garment as usual, and you’re done.

I hope you found this tutorial helpful and don’t forget if you have any questions we have a large community on our Facebook page who are always happy to help.

Happy Sewing!

Dana x

P4P University Color Blocking Tips and Tricks

February 1, 2021

Hello, fellow sewing friends! I’m super excited to talk to you today about color blocking. As long as I’ve been in the sewing world color blocking has always been really popular. A lot of patterns even include it! But what if your favorite p4p pattern doesn’t have any color blocking options? Well, today I’m going to teach how to easily do it yourself! If you aren’t familiar with color blocking, it’s basically just adding interesting unique blocks of different fabrics to your pattern without altering the fit. It’s a great way to spice up a regular t-shirt, use up some scraps, and make for some fun visual art. You can color block anything from sleeves, front bodice, back bodice, legs, hoods, if it has a pattern piece- you can color block it. Now, let’s get started!

First, you’ll want to pick your pattern and print out your chosen size. (If you are using a projector you can do it but I highly recommend printing whatever piece you want to color block. For my example, I color-blocked just the front bodice so I printed that and then used my projector to cut the rest of my pieces. ) Now if you plan on doing any “angled” color blocks and your pattern piece is on a fold- I recommend tracing the mirror image and attaching it to your piece so you have the “full piece”. I used The Basic tee for my son and chose to only block the front of the shirt.

Now the fun part- Choosing your color block! Honestly, you can really do anything so just start drawing! I use a straight edge to make sure my lines are nice and tidy (easier to sew that way). The only thing I would avoid is really complicated shapes or anything like a floating “v-point” that doesn’t reach an end (you can see my example below in the red no box). If you are new to this technique I’d start simple to get the hang of it and then you can expand from there. This is what I drew out and what will be the final “look” of my shirt.

Once you’ve drawn your color-blocked lines you’ll want to cut them all out and these are your new pieces. Decide which fabric you want for what piece and it’s time to start cutting.

Now here’s the most important part- You’ll need to add seam allowance to those pieces. You can choose whatever amount but I usually go with 1/4 inch. Now you can either do this by laying your new pieces on a piece of paper and adding it to that piece so it becomes part of your pattern piece.

Or what I do is simply use my quilting ruler while cutting to add it to my piece. So for the cut part of my piece that needs seam allowance, I just line my quilting ruler 1/4 over my cut paper line and then use my rotary blade to cut that line instead of my paper line.

Make sure you add seam allowance to every place that you cut out a color block line on your pattern piece.

Now it’s time to sew! If you decided to do any intersecting lines like this one I did. You’ll want to sew those pieces together first. So line up your piece edges right sides together and sew with the seam allowance you chose. You’ll then want to topstitch your seam allowance down.

(Tip- if you are using a coverstitch I like to do a reverse coverstitch on the seam allowances with a fun color to add some extra “pop” to my color blocking).

Now repeat this with your other pieces until they all come back together. It should finish at the same size as your initial pattern piece before you added color blocking.

Finally, you can sew your garment together as recommended by the pattern. The only difference is you have a cool color-blocked piece instead of a plain piece!

Yay! All done!! Can’t wait to see what you all create!

Happy Sewing,

Michelle

P4P University – Sewing with Swim

December 17, 2020

Hi, I’m Katy and I sew and blog for Patterns for Pirates. This post is all about sewing with swim fabrics. I first started sewing with swim fabric about five years ago, but I will admit that sewing swim spandex scared me and I did not think I would be able to do it! However, I am going to let you in on a secret, if you can sew with knit fabric you are going to be able sew with swim fabric! Swim spandex is now my favourite fabric to sew with. Making swimwear for both myself and my girls is such a satisfying experience.

Patterns for Pirates has great swimsuits patterns available with my favourite being the minute maillot. The fit is lovely and that low back option is super cute! And it is a quick sew too! I think it is a great pattern for starting out sewing with swim fabrics.

I actually use swim spandex for many other p4p sews, such as the sweetheart dress, gala gown, wiggle dress, hepburn top and dress, twist back top, pencil skirt, flutter wrap dress, fierce bra and peg legs to name a few.

Hepburn top (cropped and band added) and peg legs in performance swim spandex

Sweetheart peplum top in swim spandex and mesh

Flutter wrap dress in swim spandex

There are a lot of things to consider when choosing swim spandex:

The quality of the fabric makes a big difference to your project. The better the quality of the swim spandex, the easier it is to sew with; it will also mean your garment will wash and wear for longer too.
It is best for your swim fabric to have four-way stretch. This means the fabric is able to be stretched both horizontally and vertically which helps to make a comfortable and well fitted swimsuit.
Swim fabrics should be made of 100% man-made fibres such as polyester or nylon with a significant amount of spandex (10-20%). Polyester swim fabric will hold its shape better over time and I find it easier to sew with too.
Check if the print looks distorted when stretched on the body
Check how see through the fabric might become when stretched or wet.
I find it preferable to use a specific swim lining instead of the main swim fabric as the lining. I find it more comfortable to wear and easier to sew. Lining creates stability in the swimsuit and can smooth the body or allow better coverage on light coloured fabrics. Using lining can allow you to enclose seams too.
Choosing elastic for sewing swimsuits is also something to consider. Elastic needs to be able to withstand water, chlorine, salt and sun. Swim elastic is my preference because if I am going to the trouble of making a custom swimsuit I want the elastic to last. Rubber or clear elastic can also be used but I find it doesn’t last as well and can be trickier to sew with. But it does allow for less bulky seams. Pop over to a blog written by the lovely Dana to find out about elastics 101.

Swim fabrics require a special needle in your sewing machine. You can use a ballpoint needle, but I recommend a stretch needle for sewing seams and attaching elastic. Using one means less trouble with skipped stitches.

Example of the stretch sewing needles I use

When deciding what finishing stitch to use to topstitch elastics down or hemming swim fabric it is personal choice.

If you are lucky enough to have a cover-stitch machine for finishing your swimsuit that is ideal, but never fear because a stretch twin needle in your sewing machine will give similar professional finish too. It is also quite common to use a zigzag stitch or triple zigzag stitch for topstitching on swim fabric (see photo below showing stitch examples).

The minute maillot swimsuit showing how top-stitching the elastic down on swimsuits looks using either a coverstitch machine or a stretch twin needle

Polyester thread is ideal for sewing with swim because it is not weakened by chlorine or salt water. Again quality of the thread does make a difference to the longevity of your swimsuit.

Cutting swim fabric can be tricky because it can be slippery. I like to use pattern weights because it helps to keep the fabric in place and a rotary cutter because it gives neat, crisp and accurate edges. Before cutting, I recommend that you place your fabric right side up. When doing this, take note of where the pattern will lie on the body and how it looks next to other prints. This will help to avoid an unfortunate print placement.

My cutting set up – fabric right side up, pattern weights and rotary cutter

If you like to use pins, make sure to choose fine ballpoint pins to avoid damaging the elastic fibres in the fabric and leaving holes in it. Clips are also another good choice when sewing swim as they are more gentle on the fabric and hold the fabrics in place well too. Whether you choose to use pins or clips is up to you.

When you are sewing with swim for the first time, I recommend using lots of pins or clips. It helps keep the fabric in place and stops it slipping when sewing. If you are really having trouble getting the swim fabric to cooperate sometimes using a basting stitch can help hold things in place and it is easily removed should you make a mistake. Once basted, you can stitch the seam more easily and remove the basting stitch at the end.

When sewing swim, I use a combination of my sewing machine, overlocker (serger) and cover-stitch machines. However, if you only have a sewing machine it is still totally achievable to make a handmade custom swimsuit. Swimsuits are designed with negative ease which means the pattern is slightly smaller than your measurements, so it fits firmly on the body and stretches to it. This means you need to use a stitch that has stretch to it, like a small zigzag, lightning stitch or triple stretch stitch.

These are examples below of some common stretch stitches I use on my sewing machine when sewing with swim fabric. Always use a piece of swim fabric scrap to test your chosen stitch; then stretch the sample to make sure it will be durable.

The ideal machine choice to sew seams together for swim is an overlocker (serger), so if you have one, I recommend you sew with it. However, my preferred technique for sewing seams together with swim fabric is to start with a triple stretch stitch. I like this stitch because it is strong (my girls can be rough on their swimsuits), but it is slower to sew. I then trim the seam allowance to ¼” and finish the seam with a 3-thread overlocking stitch. You can also use a 4-thread overlocking stitch to finish your seams if you prefer. Just make sure to get the tension correct otherwise your seams make not hold together well.

I love to use swim fabrics for making clothes, because it has a beautiful drape to it and it sits beautifully over the body too. Some people might find wearing clothes made from swim fabrics a little warmer in Summer, so I recommend making the pattern design feature to be sleeveless and with an unlined bodice if possible. Using swim spandex for peg legs is my absolute favourite thing to sew. It feels amazing to wear and smooths the body nicely too.

Peg Legs with Twist Back Top both in swim spandex

I hope you dive in and start sewing with swim. I know you are going to love it as much as I do. As with anything, all it takes is a little practice.

Happy Sewing

Katy x

Vintage Jumper – Easy Hacks

October 1, 2020

The Vintage Romper is here and we couldn’t be more excited to share with you the blog team’s take on some easy hacks. Grab your patterns and let’s get started!

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Pants/skirt

Do you love shorts like we love shorts?! Then you’re in the right place. I’m going to spend a little time today showing you how to hack the new Vintage Romper into a shorts or skirt only piece. It couldn’t be easier and I have even filmed a little tutorial showing you how to adapt the waistband pattern piece and then put the waistband together too, which you can find here:

However, if you like it old skool here is the written blog post.

First you will want to cut out your skirt or pants pieces as per the regular tutorial. Then take your waistband piece and double the height of it. I used the Youth pattern to make mine and this measured 2 inches in height so I doubled it to make it 4 inches tall and then cut the length out as usual. I wasn’t going to use the strap pieces so I extended the waistband height out over the strap piece here, just to save paper. Cut your waistband lining piece out in the same way.

Waistband piece cut with the height doubled

shorts pieces, pockets, waistband outer and lining.

You will then have your pants/shorts/skirt pieces; pockets if using; extended waistband pieces; interfacing if using. Construct the rest of your garment as usual until you get to the section where you have to attach the waistband. You will attach the waistband as per the tutorial, the only difference being you don’t have the bib and straps to sandwich between the outer and lining of the waistband pieces. So you will attach the waistband outer right sides together with the pants/skirt.

Waistband with overhang

You will have an overhang of the waistband over the edge of the pants piece . This is correct, it enables you to attach a fastening for the top of the waistband at the end, like a button and buttonhole or poppers. Then sew the lining right sides together with the outer, up one short edge, along the top and down the other short edge.

Clip your corners, turn it through.

Topstitching after pressing

Press and topstitch around the entire waistband.

Then finish off your garment as per the regular tutorial instructions and you’re done!

We style them with tights, Doc Martins and a crop length Hepburn. I loved it so much on the shorts I had to do it for the skirt too!

Anyone else find that their child turns into a karate expert as soon as you turn on a camera?!

Obviously you can also just sew this up with the regular height of the original waistband too. The choice is all yours!

Happy sewing!

Dana x

Front zipper

Up next we wanted to show you a different style jumper that can be achieved with the new Vintage pattern. Let’s add a zipper to the front instead of the side. This a s great opportunity to show off your favorite zippers and pulls. For my example I am using zipper by the yard with a fun rainbow finish zipper pull. I also went with a Doodles French Terry instead of stretch woven. Cut your pattern as instructed in the tutorial. You will make two changes. Remove the part of the waistband beyond the notch on both ends. Repeat for the waistband lining. The other modification would be for the bib. Cut two 2 mirror images instead of 1 set mirror pieces and the lining on fold.

After sewing the darts on the back pants pieces, sew the back crotch seam and the two side seams. The pants will not be sewn at the front crotch just yet.

Prepare the bib by sewing the left side main and lining piece right sides together along the top and slanted side raw edge. Repeat for the ride side bib. You will now have two bib piece that will have raw edges on the vertical center seam and bottom.

Attach the main print waistband to the pants right sides together by matching the center to the center back and the raw edged to the front raw front seam.

Pin the straps matching the strap placement notches. Place the bib on the top edge of the waistband, right sides together matching the raw edges. Repeat on the other side with the other half of the bib. Place the lining on top, right side down, sandwiching the bib in between the main and lining waistband. Stitch in place.

Mark the place of the zipper stop on the wrong sides of the fabric. Place the front of the jumper right sides together matching the front raw edge. Baste in place from the top to the marked point and sew in place down from that point along the front crotch seam. Attach the zipper using the same technique as in the Vintage Jumper tutorial.

Finish your jumper by attaching the straps to the front and hemming. All done! I can’t wait to see your take on this hack.

….

Overall buckles

Love the Vintage Jumper, but you’re terrified of button holes? Never fear! Buckles are here!

Adding buckles as a button replacement is an easy and super cute hack… no extra sewing involved!

For the Vintage Jumper, you’ll need 1 ¼” buckles. I ordered mine from WAWAK and they came within 2 days, but you can also order from Amazon or pick them up in your local fabric store.

I’ve put together a video tutorial, but if you prefer written instructions, just scroll a bit further!

Mark your button placement on the bib with tailor’s chalk, 1” from the top and side edge of the bib.

Take your button post and push it through the backside of your bib, at your chalk mark, going through all layers of your fabric.

Protecting the front side of your button (as I’ve done here with a simple cloth bag), hammer the button post into the button.

Thread your straps through the buckles, starting with the top…

Running through the bottom…

Back through the middle…

And behind the front of the strap, back through the top loop.

Give yourself plenty of play in your straps to make fit adjustments

5. Adjust the straps to your preference and you’re done!

I have always loved overalls! I am so glad to have this updated pair in my wardrobe. As with all Patterns for Pirates makes, you can’t stop with one. I already have the fabric ready to make another pair soon.

I hope you enjoy your new jumper!!

Rachel

….
Skip the Zip

If you’d rather skip the zip you can choose a fabric with high stretch and recovery and slip it on/off. It’s a very simple modification, just make sure your fabric is stretchy enough to slip on and off with the snug waistband at natural waist. You will want a fabric that is more stable and can “hold” that waistband shape nicely. Or you can add some 1″ elastic into the waistband to help keep the shape.

Cut out all your pieces the same, except the waistband. You will need to trim off the extra 1″ on each end since we will not have them overlapping for a button. If you’re adding elastic I cut mine just slightly shorter then my new waistband piece so it would be snug to her waist.

Instead of sewing your zip into your side seam you’ll just stitch it up. Stitch your waistband pieces into a circle. If you are adding elastic sew it into a circle as well.

You will follow the same steps as the tutorial attaching the main waistband piece, sandwiching the straps and bib between the main and lining waistband, and top-stitching band. You will just be sewing in a complete circle rather then having the ends that overlap for a button.

All done, now you can just slip it on/off with no zip!

….

Zipper Guard

If the feeling of the zipper on your skin bothers you- you can add a simple zipper guard quickly and easily. You will cut out 2 rectangles (you can curve the bottom edge if you’d like I did or leave it a rectangle) a little longer (1-2″) then your zipper and about 2″ wide.

Stitch your pieces right sides together along one long and short edge like a L (J if you curved your corner like me) shape. Trim seam allowance and flip right sides out. Press and stitch.

Place your zipper guard along the side seam with zipper with the raw edges aligned to the seam allowance of the front pant/skirt. Stitch guard to seam allowance (do not stitch through pant/skirt).

Pin in place from front. Stitch in the ditch along your zipper seam on the front pant/skirt through the zipper guard.

You can also continue to stitch in the ditch across the bottom and up just a little to help keep the guard in place when taking on/off. This is what it will look like after with the zipper guard keeping the zip from touching your skin:

….

Add some Ears

Adding a little face and ears is always a way to make my daughter super happy with something I sew her. She requested a kitty for this one after seeing one similar at a store. It was such an easy little modification. I simple free-handed the ears… but we do have some ears in the Oversized Sweater-Youth pattern and I used the faces from our free Animal Faces for our Jolly Roger Raglan. I only freehanded the ears to make sure they fit perfectly and…. well… I didn’t want to print anything 😉

Stitch the ears up and sandwich them between the main and lining bib. Ta-da… that’s it! So cute and simple!

What an amazing line up! We look forward to seeing your own “”hacked” Vintage Jumper creations on Facebook and Insta.

P4P University – Elastic

September 27, 2020

P4P University – Elastic 101

Hi, I’m Dana one of the P4P team and I’m here today to talk all about elastic with you! We’ll be covering lots of different types of elastic that you may want to use in your sewing and showing your some examples of what they look like sewn up into finished garments, the times you may want to use them and the stitches I like to use to get the best finish.

To go alongside this blog post, I have filmed a video which you can find on the P4P You Tube channel here:

P4P University Elastics 101 Video

So, first things first, before you sew with any elastic there is one thing you will always want to do with it before you begin – exercise it! Give it a good tug several times to make sure if it is going to stretch out it does it now and not after you have finished your garment. There is nothing worse than something which fits great at first and then soon starts to get baggy.

Let’s introduce and cover off some types of elastic you are likely to encounter when home sewing:

Regular Knit Elastic

This comes in many different widths, depending on your need. Pictured are 1″, 1.5″ and 2″ elastics. Usually white or black in colour, I generally choose white because you can’t see it under lighter coloured fabrics. This plain version is usually used for something like an enclosed elastic waistband, where the elastic is fed through a casing to form the waistband. These SOS Pants have an enclosed elastic waistband. It makes for a soft and comfortable to wear garment.

SOS Pants with enclosed elastic waistband

However, you can also find patterned elastics, like this:

Patterned Knit Elastic

and these can be used as a waistband in their own right, just by top stitching in place of a casing. Super quick and easy way to finish a skirt or pair of shorts! Just wrap around your waist and cut to size, then butt the short ends and zig zag stitch together to form a loop. Quarter the elastic, quarter the top of the garment and sew right on.

Buttonhole Elastic

This is great if you have small people that keep shooting up overnight, like me! You can use it in a waistband secured with a button, and then unbutton it as they grow. Great for things with lots of ease drafted in, like the Walk The Planks. Just remember to cut it a little longer than needed when you first sew it in so you have room to lengthen it.

Clear Elastic

Clear Elastic is one of the things I had never heard of before I started sewing and now it’s the thing I use the most. I use it for gathering skirts to fit bodices, like the Sweetheart Dress; for stabilizing shoulder seams on lightweight stretchy fabrics like rayon spandex, that have a tendency to grow otherwise; for adding ruching; and for adding extra strength to the seams of stretch fabrics under pressure, like in a sports bra, where it just serge it right on when sewing the seam itself. Again this comes in different widths, pictures is 3/8″ and 1/4″.

Swim Elastic

As it’s name suggests Swim Elastic is used in swimwear. Regular elastic can perish under the combined attack of both strong sunlight and chlorine, so it is best to use this type of elastic in swimwear to ensure it stands up to the test of time. I often use clear elastic in swimwear too, both work fine, you just don’t want to use a regular knit elastic because when your pull your swimsuit out after a winter in storage you will probably find that the elastic has perished and lost all it stretch. If you’re going to take all that time to make a custom swim suit, you may aswell try and make sure it lasts.

Sunflower Swim Top

I used several different widths of swim elastic in this Sunflower Swim Top to get the best fit for me, including 3/8″, 1/2″ and 1″.

Picot Elastic

Picot Elastic is often thought of as a lingerie elastic, and it’s great for that but I think it’s also really pretty when used to finish the neckline and sleeves of a dress, where you just see the little picots popping out from the inside.

Me Hearties Dress

I used picot to finish the neckline and sleeves of this Trixie Lulamoon dress I made for my daughter’s birthday using the Me Hearties Dress pattern. I just serged it on right sides together, flipped it down to the inside and then top stitched it with a triple zig zag stitch. This is my favourite stitch for top stitching elastic because it is a really great stretchy stitch but it is also quite a wide stitch and that helps stop the elastic from flipping up.

Fold Over Elastic

You will often see Fold Over Elastic being abbreviated to FOE in sewing groups, but as you would imagine from its name you fold it over the raw edge of the fabric and top stitch in place. You can either use your coverstitch if you have one, or just sew with a triple zig zag stitch.

Fierce Bra and SOS Pants

It is used in the Fierce Bra to finish the top raw edge of the bra and also form the straps. It takes a bit of practise to get used to handling it at first but it a very useful tool to have in your arsenal!

Soft Waistband Elastic

Lastly we’re going to talk about Soft Waistband Elastic. You will probably recognise this as the type of elastic used on men’s boxers. It is thick, soft, super stretchy and has great recovery and we use it both as the underbust band on the Fierce Bra and the waistband on the Fierce Undies.

Fierce Bra and Undies

You can either serge or sew the band on like a regular knit band, flip up and top stitch the seam down or you can just sew the band into a loop by butting the short ends together and then topstitch it right onto the top raw edge of the fabric, like in the picture above. It makes sure your undies don’t shift all day whilst still being super comfortable to wear. It comes in lots of different colours and some fun printed designs too and is designed to stay visible and not be sewn inside a casing.

Hopefully that has helped give you an idea of the types of elastic you might encounter whilst sewing and what yu may need them for. Don’t forget to watch the video that accompanies this post for more examples to guide you and…

Happy Sewing!

Dana x

X Factor Sew Along – day 6

August 29, 2020

Last sewing day is here…and it’s probably the most rewarding one. Today we will get to see the project come to life. For the crop option you will be attaching the band to the bodice matching the side seams. Keep in mind that it is much easier to sew a couple of inches on each side of the center seam with your sewing machine (using a stretch stitch!) than it is to sew all around the waist with only the serger. If you are sewing the dress option, you would need to make sure that the waistband is sandwiched between the skirt and the bodice, right sides together.

Last steps of this sew along are hemming the sleeves and skirt. If you did the crop tank, you are already done. The sleeves are hemmed 1/2″. Did you make your memory hem a few days ago? Well now it comes in handy. The skirt is hemmed 1″ while the sleeves are hemmed 1/2″. In the video below you can see how I finish the dress option including the 1″ hem.

Thank you so much for joining us this week. We loved watching your creations come to life! Don’t forget to post your final photo in the comments of day 6 check in picture of the sew along album. We will pick two winners and announce them here on the blog Monday evening or Tuesday.

X Factor Sew Along – day 5

August 28, 2020

Welcome to day 5 of our X Factor sew along! Today we create the skirt by adding the optional pockets and sewing the side seams. If you are making the crop top style, today is a rest or catch up day. No need for any check in pictures.

You might have noticed in the first video of this sew along that I added the pockets to my pattern piece (removing the seam allowance) so I will not have to stitch them. One less step 😉 In the video below I show you how I use my serger to sew the side seams instead of a combination of sewing machine and serger. Both methods work great so chose the one you are more comfortable.

Reminder: the patten includes two links to complete sew ups of the X Factor so you can also follow Judy’s method of sewing the side seams when the skirt has pockets. And why would you even consider skipping the pockets? 😊

If you are doing the dress option, check in for day 5 in the comment of today’s photo of the sew along album. See you back here tomorrow for the final steps!